Appetite for Distraction
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From Agency Angst to AI Experiment
My last apology (hopefully)
Aug 21
•
yash
2
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From Agency Angst to AI Experiment
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January 2023
Music’s Composable Future ft. Dan Fowler
Listen now | Blockchain fundamentals, alternative funding models, and a path towards true supply-side disruption
Jan 20
•
yash
and
Maarten Walraven
2
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Music’s Composable Future ft. Dan Fowler
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Call for Writers!
Write for Appetite for Distraction
Jan 5
•
yash
1
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Call for Writers!
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December 2022
When Fandom and Finance Converge
An antidote against music ownership and its discontents?
Dec 12, 2022
•
yash
2
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When Fandom and Finance Converge
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Notes on ChatGPT in the Music Industry
What happens when talk is cheap?
Dec 7, 2022
•
yash
1
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Notes on ChatGPT in the Music Industry
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October 2022
Music NFTs Don't Exist
Listen now (13 mins) | Do music NFTs actually exist? If they do, how should we utilize them?
Oct 26, 2022
•
yash
3
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Music NFTs Don't Exist
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1
Music is Next.
Notes on the future of music creation
Oct 22, 2022
•
yash
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Music is Next.
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July 2022
Is Music Fandom x Financial Speculation Inevitable in Web3?
Applying Scott Kominers and Jad Esber’s two-token framework to build healthy music communities
Jul 8, 2022
•
yash
2
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Is Music Fandom x Financial Speculation Inevitable in Web3?
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June 2022
New Rails for The Music Industry
Platforms exercise autocratic control over artists’ careers—but it doesn’t have to be this way.
Jun 22, 2022
•
yash
3
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New Rails for The Music Industry
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February 2022
How TikTok Creators are Redefining “Success” in the Music Industry
A data-driven look inside the music careers of TikTok-native creators
Feb 19, 2022
•
yash
,
Pavel Telica
, and
Parth Sinha
2
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How TikTok Creators are Redefining “Success” in the Music Industry
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January 2022
music x web3 creator tool stack ft. karma.wav
introducing Timestamp — a snapshot in time in the music cryptoverse
Jan 18, 2022
•
yash
1
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music x web3 creator tool stack ft. karma.wav
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December 2021
How Web3 Redefines Labour, Capital, and Fandom in Music
Notes on the power of 1000 invested fans
Dec 6, 2021
•
yash
3
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How Web3 Redefines Labour, Capital, and Fandom in Music
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